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1000-hours/sounds-of-american-english/2.5.1-pitch.md
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1000-hours/sounds-of-american-english/2.5.1-pitch.md
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# 3.5.1 高低(Pitch)
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被清楚地读出的音节,有可能伴随着高低不同的音高(*Pitch*)变化。
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Clear syllables when pronounced, may vary in *pitch*.
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> Yet, | it is a fact of **life** | that an *un·lettered* **pea**sant is considered **ig**norant.
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这句话里,*Yet* 和 *life* 这两个单音节词汇,以及 *peasant* 的第一个音节 `/pe/`,以及 *ignorant* 里的第一个音节 `/ɪg/`,都有明显的音高(*pitch*)拉升。语音分析工具可以帮我们清楚地 “看到”:
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In this sentence, the single syllable words *Yet* and *life*, the first syllable `/pe/` in *peasant*, and `/ɪg/` in *ignorant*, all experience a noticeable *pitch lift*. Voice analyzing software can help us *see* this clearly:
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<video controls width="720"> <source src="/videos/yet-it-is-a-fact-of-life.mp4" type="video/mp4"></source>Your browser does not support the video tag. </video>
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如果你可以唱出 $\frac{4}{4}$ `| 3 2 1 - |` —— 当然,这三个音符其实任何人都可以唱出来……
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If you can sing $\frac{4}{4}$ | 3 2 1 - | - indeed, anyone could sing these three notes...
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<video controls width="720"> <source src="/videos/321.mp4" type="video/mp4"></source>Your browser does not support the video tag. </video>
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那你就可以把 *fact*, *fact*, *fact*... 用三个不同的音唱出来,`/fækt/(3) /fækt/(2) /fækt/(1-)`,你就能体会到自然语音中的**音高**变化了。
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Then you can voice *fact*, *fact*, *fact*... in three different pitches, /fækt/(3) /fækt/(2) /fækt/(1-), and you will then feel the *pitch* changes in natural speech.
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**音高**(*pitch*)的控制,主要靠**喉部**(*larynx*);而**语调**(*intonation*, [3.5.2](3.5.2-intonation)),由于涉及到音高的变化(**从高到低**或者**从低到高**),所以,也由喉部控制。如果有个人在我们面前讲话,在我们听到她声调明显变化的时候,就可以看得到她的喉咙部位的明显动作……[^1]
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Pitch control mainly relies on the *larynx*. *Intonation* (3.5.2), which involves pitch variation (from high to low or from low to high), is also controlled by the *larynx*. If someone is speaking in front of us, we can see the clear movement in their throat when we hear a noticeable change in their pitch...[^1]
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<video controls width="720"> <source src="/videos/CatherineAnderson.mp4" type="video/mp4"></source>Your browser does not support the video tag. </video>
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之所以 “说话” 只不过是 “极其低配版的歌唱”,是因为它的曲调(*Melody*)只是在一个特别狭小音高区域(*Pitch region*)里变化。
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The reason why *speaking* can be considered as *extremely pared-down singing* is because its melody (prosody) only fluctuates within a very narrow pitch region.
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[^1]: The video clip came from *[Essentials of Linguistics, 2nd edition](https://ecampusontario.pressbooks.pub/essentialsoflinguistics2/)*,and the narrator is one of the authors, Catherine Anderson。
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